He graduated from Ecole Nationale Supérieure des Beaux-Arts d’Angers (2003).
By experimenting with the material possibilities of photography, Roman Moriceau explores the notion of time as a transformative force. His works explore the relationship between the experiences of the body and nature, and offer a multi-sensory dimension. By combining ephemeral materials with industry and mass production, Moriceau’s photographs highlight the underlying ecological and political issues in the landscapes of our everyday lives.
His recent exhibitions include: ‘‘Par la fumée’’, curation par Sandra Barré, POUSH, Aubervilliers (2024); ''Silver and Gold'' (solo), Galerie Derouillon, Paris (2024); "Rose is a Rose is a Rose", MACVAL, Paris (2023); "Horizons Olfactifs", Fondation Espace Écureuil pour l’Art Contemporain, Toulouse (2023); "Sammeln", Villa Schöningen, Potsdam (2022); "Image of Other Memories" (solo), Galerie Derouillon, Paris (2021); "Le vent se lève", MACVAL, Ivry (2020-2021); "La photographie à l’épreuve de l’abstraction", FRAC Normandie Rouen (2021); "Recto/Verso", Fondation Louis Vuitton, Paris (2018); "Fluo Noir", Biennale de l’Image Possible 2018 Musée de la Boverie, Liège (2018); "Our Exquisite Replica of ”Eternity”" (solo), Galerie Derouillon, Paris (2018).
Public collections: MACVAL, Musée d’art contemporain du Val-de-Marne (FR); Grieffelkunst, Hambourg (GE); Villa du Parc - centre d’art contemporain, Annemasse (FR).
